Monumenta Musicae Byzantinae

Bernard Mulholland, Early Byzantine Ireland: a survey of the archaeological evidence (2021).
https://books.apple.com/us/book/id6445354716
https://play.google.com/store/books/details?id=ChilEAAAQBAJ
https://www.amazon.com/dp/B09MG1YZ8W

https://themanfrommensa.com/category/shop/

Monumenta Musicae Byzantinae (MMB) now offer a number of back volumes that are out of print or difficult to access as free pdfs on the newly revised web site. Following a decision by the editorial board, the necessary consents from legal heirs of the many contributors to the project are being collected and already now, a number of important studies and documents are available. In the case of facsimile editions, the offer concerns the meticulous manuscript descriptions and inventories (since images of the manuscripts themselves may be otherwise copyrighted, or can already now be studied on the increasing number of library websites offering digital facsimiles). In addition, a number of monographs and studies (MMB Subsidia), of transcriptions (MMB Transcripta), and the full edition of the OT lectionary (MMB Lectionaria) can be downloaded already now according to a Creative Commons non-commercial no-derivatives license.

DOAKS Opportunities for Scholars at Risk

https://www.doaks.org/research/fellowships-and-awards/opportunities-ukraine-scholars

Byzantine #Roman #art #archaeology #architecture #history #culture #heritage #highereducation #Ireland #Christian #Church #liturgy #Crusades #Templars #Hospitallers #Antiquity #Medieval #music #Greek

Dumbarton Oaks Mentorship Program and Research Grants for Scholars Affected by the Conflict in Ukraine

In response to the current conflict in Ukraine, Dumbarton Oaks is offering two initiatives to support scholars at risk. The newest initiative—a four-session remote mentorship program co-organized with scholars at Boise State University, University of Kent, Princeton University, and Tufts University—will offer professional development and workshop opportunities around a variety of topics. The second initiative is a limited number of research grants, open to scholars active in any of the three areas of studies supported by Dumbarton Oaks, namely Byzantine Studies, Pre-Colombian Studies, and Garden and Landscape Studies.

The 25th International Congress of Byzantine Studies (2026)

Byzantine #Roman #art #archaeology #architecture #history #culture #heritage #highereducation #Ireland #Christian #Church #liturgy #Crusades #Templars #Hospitallers #Antiquity #Medieval #music

Please see attached and below an announcement about The 25th International Congress of Byzantine Studies will be held on 24 to 29 August 2026 in Vienna, Austria.

Dear Colleagues,

Following the online meeting of the Organizing Committee of the 25th International Congress of Byzantine Studies -Vienna 2026 with the members of the AIEB Bureau on 16 March 2023, we would like to inform you about the preliminary profile and structure of the Congress program and to appeal to all National Committees to send us their proposals for Round Tables by 31 December 2023. The call for Free Communications will be sent in spring 2025. You may find below the main theme of the Congress, the themes of six Plenary Sessions, as well as the timetable and procedures for Round Tables, to be confirmed and approved at the Inter Congress meeting in Athens on 12 April 2024.

INFORMATION ON THE PROFILE AND STRUCTURE OF THE 25th CONGRESS OF BYZANTINE STUDIES- Vienna 2026

Date: The 25th International Congress of Byzantine Studies will be held on 24 to 29 August 2026 in Vienna, Austria.

Main Theme: “Byzantium beyond Byzantium”, “Byzance au-delà de Byzance”, “Το Βυζάντιο πέρα από το Βυζάντιο”

General Rule:

Scholars can participate in no more than two sessions throughout the Congress. (i.e., as speaker in two sessions, or as speaker in one session plus as convener, or as convener in two sessions).

Plenary Sessions:

There will be six Plenary Sessions. The list of Plenary Session themes and speakers will be approved at the Inter-Congress meeting in Athens on 12 April 2024. National Committees will be informed about the details shortly before the meeting. The themes for Plenary Sessions are:

Byzantium lost and found

Romanitas beyond Byzantium. Diffusion and impact of ideas of Rome in a „post-Roman” world

The beasts, the crops and the bones. Biological perspectives on the Byzantine world

Byzantine Diversities

Reading Byzantine literature across the centuries

Byzantium in Central Europe

Round Tables:

General rules

Round Tables must be proposed through the National Committee of the proposer. There is also the option of joint proposals by more than one National Committee.

Round Tables are allocated 90 minutes. They should consist of no fewer than four and no more than six speakers, plus the convener(s), in order to ensure adequate time for discussion.

The professional affiliation of the speakers should represent at least two countries. We particularly encourage the inclusion of young researchers.

We strongly encourage those who propose Round Tables to follow the Congress main theme.

The most important criterion for accepting a Round Table proposal will be its innovative scholarly contribution.

The number of proposals, including joint proposals by each National Committee is limited to ten.

Proposals should include a title, an abstract of 250 words, 5 key words, the names of the convener(s) and speakers as well as the name of the person sending the proposal, his/her affiliated institution and his/her mail address.

Proposals should be written in English or French. Timetable

The deadline for submission of Round Table proposals by National Committees to the Organizing Committee is 31 December 2023. Any Round Table proposal sent after the deadline will not be accepted. The proposals should be sent to program.ICBS2026@univie.ac.at.

Conveners of Round Tables will be informed about the decision of the Program Committee (in accordance with the Bureau of the AIEB) in mid-February 2024. Proposed Round Tables will either be accepted or rejected or the option of an Organized Session will be offered.

Conveners of accepted Round Tables will be asked to confirm their participation and the organization of their Round Tables by 31 March 2024.

The list of Round Tables will be presented at the Inter-Congress meeting in Athens on 12 April 2024.

Vienna, March 2023

The Organizing Committee

Call For Papers – Byzantine Studies Conference, Vancouver, Oct. 26–29

Byzantine #Roman #art #archaeology #architecture #history #culture #heritage #highereducation #Ireland #Christianity #Church #liturgy #Crusades #Templars #Hospitallers #Antiquity #Medieval #music

The Forty-Ninth Annual Byzantine Studies Conference DEADLINE: April 14, 2023

The BSC is the annual forum for the presentation and discussion of papers on all aspects of Byzantine Studies and on topics related to the field. Conference attendance is open to all, regardless of nationality or academic status. All conference attendees are encouraged to attend the annual Byzantine Studies Association of North America (BSANA) Membership Meeting on Saturday, October 28.

To deliver your paper at the BSC, you must be a member of BSANA in good standing, enrolled in a graduate program at the time of submission, or hold a graduate degree. We encourage undergraduate attendance, but do not accept submissions from undergraduates. To join or renew your membership in BSANA, pay your dues according to your current status at: https://bsana.net/members/.

The Program Committee invites proposals for papers and thematic panels on all topics and in all disciplines related to Byzantine Studies, broadly construed. Paper proposals for the 2023 BSC may be submitted in the form of individual papers or as part of organized panels. Instructions for both are included below. Abstracts should be written to be accessible to a broad audience of readers on the Program Committee. All proposed papers must be substantially original and never have been published previously. Each contributor may deliver only one paper.

Filming Rob De Boer music video

#film #music #video #actor #Ireland #Belfast #singersongwriter #RobDeBoer #NewYork

Had a really great time as an actor on the set of the Rob De Boer music video, Man to You, filmed in the Empire on 22nd March. With a distinctive sultry, soulful voice reminiscent of the iconic performer Sade, Rob De Boer is a very talented Dutch-Irish musician. Directed by talented New Yorker Émilie Richard-Froozan, produced by Killian Casey, and wardrobe by Lucy Bowen. The Belfast Empire Music Hall and Bar provided a superb filming location, and, when the music video finishes post-production, I expect the results to be spectacular.

I’m on the right in the photo below.

Rob De Boer profile:

YouTube: https://www.youtube.com/channel/UCDchIfEmS-5dmVhq8ZgCShw

Facebook: https://www.facebook.com/heyrobdeboer/

Spotify: https://open.spotify.com/artist/0sTfdqZ9u7yVZCNzRl9qFX

Émilie Richard-Froozan profile: https://www.imdb.com/name/nm3344050/

Killian Casey profile: https://killiancasey.com/

Belfast Empire profile: https://www.thebelfastempire.com/

SAMR Zoom Flash Conference: Religion and Material Culture in Late Antiquity, April 25-27, 2023

#religion #culture #archaeology #art

https://www.samreligions.org/flash-conference/

The Society for Ancient Mediterranean Religions (SAMR) is hosting a zoom flash conference discussing evidence for and methodological issues in the study of materiality and late antique religion.

Tuesday, April 25, 6:00 pm Eastern Time

The Space of a Stylite: Columns and their Topographical Contexts

Dina Boero (The College of New Jersey)

Wednesday, April 26, 6:00 pm Eastern Time

Desire in the Archive: A 1934 Excavation in Antioch’s Southeastern Nekropolis

Sarah Porter (Gonzaga University)

Thursday, April 27, 6:00 pm Eastern Time

Animating Attachments: An Affective Archaeology of Late Antique Monastic Refectories

Camille Angelo (Yale University)

For more information and to sign up: https://www.samreligions.org/flash-conference/

Rob de Boer

#music #video #actor

Had a really great time as an actor on the set of the Rob De Boer music video, Man to You, filmed in the Empire on 22nd March. Directed by the talented Émilie Richard-Froozan, produced by Killian Casey, and wardrobe by Lucy Bowen. I’m on the right in the photo below.

https://www.youtube.com/channel/UCDchIfEmS-5dmVhq8ZgCShw

https://robdeboer.bandcamp.com/

Byzantine Musical Instruments

Byzantine Musical Instruments project is the first scientific study to bring together a vast array of visual representations of Byzantine musical instruments from a wide range of contexts. The database not only exhibits the iconography of the preserved artefacts, but it also provides a unique classification of instruments, embodying several filters to help researchers make in-depth research by narrowing down several advanced search options such as geographical area, time period, and artifact type.

Monumenta Musicae Byzantinae

https://www.igl.ku.dk/MMB/

Monumenta Musicae Byzantinae (MMB) now offer a number of back volumes that are out of print or difficult to access as free pdfs on the newly revised web site. Following a decision by the editorial board, the necessary consents from legal heirs of the many contributors to the project are being collected and already now, a number of important studies and documents are available. In the case of facsimile editions, the offer concerns the meticulous manuscript descriptions and inventories (since images of the manuscripts themselves may be otherwise copyrighted, or can already now be studied on the increasing number of library websites offering digital facsimiles). In addition, a number of monographs and studies (MMB Subsidia), of transcriptions (MMB Transcripta), and the full edition of the OT lectionary (MMB Lectionaria) can be downloaded already now according to a Creative Commons non-commercial no-derivatives license.

Byzantina Symmeikta

https://ejournals.epublishing.ekt.gr/index.php/bz

Byzantina Symmeikta is a peer-reviewed open-access electronic journal published by the Byzantine Section of the Institute of Historical Research, National Hellenic Research Foundation. From 1966 to 2005 (vols. 1–17) the journal was published under the title Symmeikta. 
Byzantina Symmeikta accepts for publication articles of original research in all fields of Byzantine studies (history, literature, archaeology and art) as well as book reviews. Accepted languages are English, French, German, Greek and Italian. A rigorous publication process ensures that the journal adheres to the highest standards of scholarship. 
Ιn its electronic version Byzantina Symmeikta is an open-access journal. All articles become available online as soon as a new volume is published on the journal’s platform. A print edition appears about one year after the electronic publication. All volumes from 2008 onwards (vols. 18–) are also available in print.
In the first 15 years of its online presence (2008–2022) 155 research articles and more than 200 book reviews and shorter bibliographical notes have appeared in the journal. 
Webpage: https://ejournals.epublishing.ekt.gr/index.php/bz

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